Again Mayor Daley touts a “world-class technology park” on the nearly vacant site of Michael Reese Hospital.
As Jonathan Fine of Preservation Chicago  said here  in September, “Wouldn’t it have been nice if they came up with the idea of a technology park while all those laboratory buildings were still there?”
Not just handy lab buildings, either – the most significant collection in the nation of buildings whose design was guided by Walter Gropius, one of the major architects of the 20th century. Blair Kamin  called the demolition at the hands of Daley and Toni Preckwinkle  “cultural vandalism.”
Lynn Becker  recently pointed out that the 2009 demolition of Reese and the 1989 demolition of Block 37 – which included the landmark 1872 McCarthy Building, John Peter Altgeld’s 1892 Unity Building, the 1921 United Artists Theatre designed by Holabird and Roche, and the 1928 art deco Hillman Building with the venerable Stop & Shop gourmet emporium – are the “twin bookends” of Daley’s reign.
There was big talk of big plans back then too, but not until 16 years later was anything built, and what we got was a “sad, ‘better-something-than-nothing'” compromise on the original visions.
And much like Reese’s labs, the Stop & Shop would have suited today’s new Loop-dwellers, and the United Artists Theatre “would have provided a much-needed smaller capacity venue for the mayor’s revived Randolph Street district,” Becker points out.
Along the way he gives a fascinating view of the arc of Daley’s career, from “Dirty Little Richie” to the conciliator of his early mayoralty — till “the nasty habits of his youth returned: the bullying, the intolerance of dissent, the constant ridiculing of any ideas other than his own, the incoherent, angry rants.”
Says Becker: “The mayor’s most willful initiatives were often his most embarrassing blunders.” Put Reese in that category.